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最新天美传媒

School of Art & Art History

USF College of Design, Art & Performance

Sheramy Bundrick

Ph.D. (Emory University) Professor, Greek and Roman art, art of the ancient Mediterranean
Phone: 727.873.4062
Email: bundrick@usf.edu 

Sheramy Bundrick specializes in the art of ancient Greece, especially Athenian vase painting of the sixth and fifth centuries B.C.E. Her recent book, Athens, Etruria, and the Many Lives of Greek Figured Pottery (University of Wisconsin Press, 2019), explores the import and usage of Athenian vases by the ancient Etruscans. Taking a cross-cultural perspective and privileging archaeological context, she posits a symbiotic relationship between Athenian ceramic workshops, the traders who transported figured pottery, and Etruscan consumers. Dr. Bundrick has published articles in journals such as the American Journal of Archaeology, Hesperia, and Classical Antiquity; numerous book chapters; and is the author of Music and Image in Classical Athens (Cambridge University Press, 2005). Her book in progress is provisionally titled The Family of Citizens in Classical Athenian Art.

Dr. Bundrick has held fellowships and grants from the Samuel H. Kress Foundation, The Metropolitan Museum of Art, Fulbright Foundation, and Archaeological Institute of America. During the 2013鈥14 academic year, she was a Rome Prize Fellow in Ancient Studies at the American Academy in Rome and in spring 2022 she was a Visiting Senior Associate Member at the American School of Classical Studies at Athens. As a lecturer in the Archaeological Institute of America National Lecture Program, she presented her research on Greek vases in Etruria at Yale University (2014), Johns Hopkins University (2015), and Princeton University (2017). Among her grants and awards at the University of South Florida, she received a Creative Scholarship Grant for 2021-22; the USF St Petersburg Chancellor's Award for Excellence in Research and Creative Scholarship for 2015-16; and a USF System Outstanding Faculty Award for 2013.

Recent Publications:

笔辞尘辫锚, Peplos, Poikilia: Picturing the Panathenaia on an Athenian Amphora,鈥 Greek and Roman Musical Studies 12 (2024): 3鈥38

鈥淢usic as Mnema on Athenian White-Ground Lekythoi,鈥 in L. Curtis and N. Weiss, eds., Music and Memory in the Ancient Greek and Roman Worlds (Cambridge University Press, 2021) 287鈥310. 

鈥溾楨truscanizing鈥 Athenian Vases: The Case of a Pelike from Foiano della Chiana,鈥 in E. Giudice and G. Giudice, eds., Studi miscellanei di ceramografia greca VII (Ediarch, 2021) 55鈥81.

鈥淰isualizing Music,鈥 in E. Rocconi and T. Lynch, eds., A Companion to Ancient Greek and Roman Music (Wiley-Blackwell, 2020) 117鈥30.

鈥淗erakles on the Move: A Greek Hydria鈥檚 Journey from Athens to Vulci,鈥 Memoirs of the American Academy in Rome 63/64 (2018/19, published 2020): 1鈥51.

Athens, Etruria, and the Many Lives of Greek Figured Pottery (Wisconsin Studies in Classics, University of Wisconsin Press, 2019).

鈥淩eading Rhapsodes on Athenian Vases,鈥 in J. Ready and C. Tsagalis, eds., Homer in Performance: Rhapsodes, Characters, and Narrators (University of Texas Press, 2018) 76鈥97.

鈥淎ltars, Astragaloi, Achilles: Picturing Divination on Athenian Vases,鈥 in S. Blakely, ed., Gods, Objects, and Ritual Practice (Studies in Ancient Mediterranean Religion volume 1, Lockwood Press, 2017): 53鈥74.

鈥淎thens, Etruria, Rome, Baltimore: Reconstructing the Biography of an Ancient Greek Vase,鈥 Memoirs of the American Academy in Rome 61 (2016): 1鈥21.

鈥淩econsidering Hand Looms on Athenian Vases,鈥 in M. Stansbury-O鈥橠onnell, T.H. Carpenter, and E. Langridge-Noti, eds., The Consumers鈥 Choice: Uses of Greek Figure-Decorated Pottery, Selected Papers in Ancient Art and Architecture, Volume 2 (Archaeological Institute of America, 2016): 1鈥21.

鈥淎thenian Eye Cups in Context,鈥 American Journal of Archaeology 119 (2015): 295鈥341.

鈥淩ecovering Rhapsodes: A New Vase by the Pantoxena Painter,鈥 Classical Antiquity 34 (2015): 1鈥32.

鈥淪elling Sacrifice on Classical Athenian Vases,鈥 Hesperia 83 (2014): 653鈥708.